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The collection is a representation of metamorphoses between realms, a chameleon fluidization of concepts, a metaphorical context of fusion between being and object.
Concept
Going beyond the conventional status of a clothing object, of the print that covers the human body with utilitarian products in a manner loaded with stereotypes, the project aims to detach from these things, requesting the viewer's attention and availability to novelty.
The cognitive malleability that results from trans-conceptuality makes the created object acquire an ethical, visual force, which encourages motivation in accepting the creation as a component to refresh the imagination and resilience in relation to conventional patterns.
As waterproof materials are used that support the dynamics of the movement, the biker suit is elongated in a zoomorphic, minimized shape, and the profile of a snake acquires the valence of a contemporary individuality in close communion with elements from everyday human life.
Identity
This harmonization of symbols slips into an even deeper visual sense through the use of a chromaticity that highlights the animals' natural environment in a symbiosis of plasticity with their skin, their permanent coat. This change of clothes is the rhetoric of this concept that gains authority through its provocative character, but also sensitizing at the same time, a transgressive formal and emotional communion between man and animal.
versatile position, hybrid clothing object, art object, compositions with many pieces
sportswear art, eradication of fear concept, reconciliation with eco-systems
SKIN| Carmen Emanuela POPA, London Fashion Week | Profile Designer, Model Katrin Kennedy, Ballet Dancer, London, Location Bucharest